Last Saturday I drove out to the West County, where I used to live, to attend a CodePink Peace Camp at Ocean Song Farm and Wilderness Center -- and got caught in a web of nostalgia that almost tripped me up.
Ocean Song is a 350-acre property west of Occidental, the village that is the centerpiece of the rural community in which we lived, where five roads intersect in a little valley nestled between two ridges. When we first moved up there from San Francisco, the main street, which is only two blocks long, wasn't even paved.
The area was settled by Italian families around the turn of the last century and adopted by hippies fleeing the city to put their feet back on the ground and make their gardens grow. They became some of the first organic farmers in the country; and of course, they also grew magnificent pot.
Coming from the southeastern part of this sprawling county, where I now live, I chose not to drive through town. I was trying to be efficient, but perhaps I was also trying to avoid the seductive trap of recollection and regret that was lurking around every turn, ready to draw me in.
But as it turned out, the alternate route was just as reminiscent of my life here. Driving along Bodega Highway, I remembered taking that road every morning during the two years I worked for a newspaper out on the coast, Bodega Bay Navigator, after my marriage split up.
When I turned onto Joy Road, I was joined by other presences, whispers from those former days, as if I were again accompanied by two or more children chattering and laughing in the back seats on the way to the beach, or someone's sleepover, or perhaps the monthly mother-daughter potluck that Amy and I attended when she was in Middle School; or the time we hit a deer coming home from an event at the coast and didn't stop because my husband was certain he saw it get up and run off into the woods.
It wasn't always a merry good time. The kids might be fighting over the choice of radio station, someone might be yelling or moping and crying, I might have been irritable or tired of settling arguments and negotiating demands, but despite all that, I loved being a mother, and I loved the person I was then (most of the time); and in retrospect I loved her even more.
These roads, like old houses, seem to mirror the tracks memory carves in the brain. The landscape is quite distinct from where I am living now. Around Sonoma, the hills are molded and firm like young breasts, covered with golden oat grass that resembles blonde fur when the wind sweeps through. But around Occidental the hills are mostly obscured by forest and scruffy shrubs, a mix of various oaks, madrone, bay laurel, willow, pine and a few redwoods, and the sides of the road are cluttered with an effusion of native plants (aka weeds) and wildflowers. This is the land that fought off the developers and chose to remain as it had been. The old farmhouses are unpretentious and homey, set back from the road, some with fences beginning to cave and porches starting to sag. But they are comfortable, settled into the land, like the families who have lived in them since the 70s, raised their kids and stayed. They may have divorced and remarried, but they haven't left the community, and their lives are intertwined with the land.
Unlike mine! From poignant reminiscence my mood shifted to one of deep regret. I hadn't had to leave and hadn't really wanted to, but it's what I did, and there's no turning the clock back. Nor will it help to listen to the voice in my head that is getting ready to scold me for not working night and day in order to keep my cottage in the redwoods. There's plenty of fault to find, no question; but a scolding is not going to bring it back. I lost my house and my settled country life because I needed a change. I didn't realize how difficult it was going to be to come back.
As I made the turn onto Coleman Valley Road, I began thinking, I am still not home. I have to find a way to move back where I belong. By the time I reached the gate to Ocean Song, my mind was still locked into a few words repeating themselves like the sounds of a train on the track. I have to come back, I have to come back, clicketty clack, I have to come back where I belong!
But then I paused to breathe in the astonishing view spread out below, the rows of blue green hills, the fog bank spread out between them, the far distance sea, and awe took the place of my repetitious chatter.
People move on. It's what happens. Had I not left, I would have missed the many great experiences I had in New Mexico. Had I not returned, I wouldn't be having this experience of revisiting the life I had here and linking it up with the one I am making now in a very different setting. In Sonoma, a Wine Country "destination" known all across the country.
Rebecca Solnit says it well: "The self is also a creation, the principle work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming ends only when you do, if then, and the consequences live on."
That's what it comes down to: designing a life, learning its lessons, growing all the way to the very end.
I made my way down the hill to sample the delicious California country buffet and connect with old friends.
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